CUTSCENES.TXT

[A1_CUTSCENES_SAM_C0100_0004]
{Ripley? }

[A1_CUTSCENES_SAM_C0100_0006]
{I'm Samuels. I work for the Company.}

[A1_CUTSCENES_SAM_C0100_0007]
{It's about your mother. }

[A1_CUTSCENES_SAM_C0100_0009]
{We think we may have found her, Amanda.}

[A1_CUTSCENES_SAM_C0100_0010]
{A commercial vessel, the Anesidora, has recovered what we believe to be the flight recorder unit of the Nostromo.}

[A1_CUTSCENES_RIP_C0100_0011]
{Where?}

[A1_CUTSCENES_SAM_C0100_0012]
{Zeta Reticuli.}

[A1_CUTSCENES_RIP_C0100_0013]
{What did it tell you? }

[A1_CUTSCENES_SAM_C0100_0014]
{We don't know.}

[A1_CUTSCENES_SAM_C0100_0015]
{The unit was taken to Sevastopol Station. It's proprietorial material, so the company wants it to be collected as soon as possible.}

[A1_CUTSCENES_SAM_C0100_0016]
{Sevastopol's a supply depot in the region. It's a permanent freeport facility.}

[A1_CUTSCENES_RIP_C0100_0017]
{I know what it is.}

[A1_CUTSCENES_SAM_C0100_0018]
{Transit's arranged. There's a courier ship called the Torrens heading out that way in two days. We're going to travel out to…}

[A1_CUTSCENES_RIP_C0100_0019]
{"We?"}

[A1_CUTSCENES_SAM_C0100_0020]
{Me and another exec. And you, if you're willing.}

[A1_CUTSCENES_SAM_C0100_0021]
{Look, Ripley. When this job came across my desk, I read the case history. }

[A1_CUTSCENES_SAM_C0100_0022]
{You're the only one of the crew relatives still in dispute.}

[A1_CUTSCENES_SAM_C0100_0025]
{I know why you're working in the region where she went missing.}

[A1_CUTSCENES_SAM_C0100_0026]
{You're still looking, aren't you? }

[A1_CUTSCENES_SAM_C0100_0027]
{I've been cleared to offer you a place on the Torrens, if you want to come along. Maybe there'll be some closure for you.}

[A1_CUTSCENES_SAM_C0800_0001]
{Can we see it? }

[A1_CUTSCENES_VER_C0800_0002]
{Switch to monitors.}

[A1_CUTSCENES_VER_C0800_0003]
{Sevastopol Station.}

[A1_CUTSCENES_RIP_C0800_0004]
{Is that damage? }

[A1_CUTSCENES_SAM_C0800_0005]
{It looks like damage.}

[A1_CUTSCENES_VER_C0800_0006]
{Punch up 74. Tight-angle.}

[A1_CUTSCENES_CON_C0800_0007]
{Looks like the dry-dock bay is screwed.}

[A1_CUTSCENES_VER_C0800_0008]
{I can't bring the Torrens in to that. }

[A1_CUTSCENES_VER_C0800_0011]
{This is the commercial vessel Torrens out of Saint Clair, registration number MSV-7760, calling Sevastopol traffic control.}

[A1_CUTSCENES_VER_C0800_0019]
{We're carrying three passengers on a Weyland-Yutani bond. You're holding the Nostromo flight recorder unit. We request immediate permission to transfer the passengers port-side. Over…}

[A1_CUTSCENES_WAI_C0800_0021]
{This is Waits, Colonial Marshal at Sevastopol station. We have a serious situation here. Non-local comms are down and we need you to send out an emergency message, do you read me? Repeat, our ranged communications are down and we need help. Stand off and send help.}

[A1_CUTSCENES_VER_C0800_0023]
{Hello? Marshal? M-marshal, this is the Torrens. Say again. }

[A1_CUTSCENES_WAI_C0800_0024]
{Torrens, we have a situation we're trying to contain. I can't have any ships docking. Stand off and await further instructions. Do you read me, over.}

[A1_CUTSCENES_WAI_1371]
{(Static)...Waits, Colonial Marshal...(static)...Sevastopol station... (static)...serious situation...(static)}

[A1_CUTSCENES_WAI_1372]
{(Static)}

[A1_CUTSCENES_VER_C0900_0004]
{The station's comms seem pretty screwed up, so I've fitted Samuels' suit with a radio booster.}

[A1_CUTSCENES_VER_C0900_0005]
{I can only keep the Torrens in transit for twenty-four hours.}

[A1_CUTSCENES_SAM_C0900_0006]
{You'll have heard from us by then.}

[A1_CUTSCENES_VER_C0900_0007]
{Safe trip.}

[A1_CUTSCENES_TAY_8627]
{Ha ha.}

[A1_CUTSCENES_RIP_C0900_0008]
{Stand by.}

[A1_CUTSCENES_TAY_8555]
{My contract doesn't cover bloody space-walks…}

[A1_CUTSCENES_RIP_8090]
{It’s the only option. And it’s perfectly safe if you do what I tell you.}

[A1_CUTSCENES_TAY_C0900_0009]
{(deep breaths)}

[A1_CUTSCENES_RIP_C0900_0010]
{Depressurizing.}

[A1_CUTSCENES_TAY_C0900_0011]
{Oh fuck...hating this.}

[A1_CUTSCENES_RIP_C0900_0012]
{Just shadow me, Taylor. You too, Samuels.}

[A1_CUTSCENES_SAM_C0900_0013]
{Affirmative.}

[A1_CUTSCENES_RIP_C1000_0001]
{What the fuck happened here?}

[A1_CUTSCENES_TAY_C1000_0002]
{My God, Ripley.}

[A1_CUTSCENES_RIP_C1000_0003]
{You're doing good Tay-}

[A1_CUTSCENES_TAY_C1000_0004]
{(scream)}

[A1_CUTSCENES_TAY_C1000_0005]
{(breathes heavily)}

[A1_CUTSCENES_VER_C1000_0006]
{Samuels? Samuels? What happened? Copy? }

[A1_CUTSCENES_RIP_C1000_0007]
{Just keep moving!}

[A1_CUTSCENES_RIP_C1000_0008]
{(breathes heavily)}

[A1_CUTSCENES_SAM_7042]
{Taylor! Ripley! Hold on!}

[A1_CUTSCENES_RIP_C1000_0010]
{(scream)}

[A1_CUTSCENES_RIP_C1000_0011]
{Ah!}

[A1_CUTSCENES_RIP_C1000_0012]
{Ah!}

[A1_CUTSCENES_RIP_C1000_0013]
{Ah! }

[A1_CUTSCENES_RIP_C1000_0014]
{Uh! }

[A1_CUTSCENES_RIP_C1000_0015]
{Samuels? Taylor? Respond, anybody!}

[A1_CUTSCENES_RIP_3485]
{Torrens, do you copy? Torrens, this is Ripley. Do you copy? Samuels? Taylor? Respond.}

[A1_CUTSCENES_RIP_C1000_0016]
{Okay. Okay.}

[A1_CUTSCENES_RIP_C1000_0017]
{(gasp)}

[A1_CUTSCENES_RIP_C1000_0018]
{Uh!}

[A1_CUTSCENES_SGF_1073]
{Activating gravity plates.}

[A1_CUTSCENES_RIP_C1100_0001]
{(exertion sounds)}

[A1_CUTSCENES_AXE_C1100_0002]
{Stay. Still. }

[A1_CUTSCENES_RIP_C1100_0003]
{Okay, okay.}

[A1_CUTSCENES_RIP_C1100_0006]
{I'm Ripley. }

[A1_CUTSCENES_AXE_C1100_0007]
{Where'd you come from, Ripley? }

[A1_CUTSCENES_RIP_C1100_0008]
{Off-station. A ship. }

[A1_CUTSCENES_AXE_C1100_0009]
{There's no ships here!}

[A1_CUTSCENES_RIP_C1100_0010]
{There are now. }

[A1_CUTSCENES_AXE_C1100_0011]
{Well, ha, that's good news. Because things are not so good here. Something blew just now. Rocked this whole place. }

[A1_CUTSCENES_RIP_C1100_0012]
{I saw it. }

[A1_CUTSCENES_AXE_C1100_0014]
{But lady… hah… that's the least of our problem. }

[A1_CUTSCENES_RIP_C1100_0015]
{Yeah? }

[A1_CUTSCENES_AXE_C1100_0016]
{Yeah. There's something on this station. Something you wouldn't believe. }

[A1_CUTSCENES_RIP_C1100_0017]
{Like what? }

[A1_CUTSCENES_AXE_C1100_0018]
{A killer! You get it!?}

[A1_CUTSCENES_RIP_8604]
{Okay!}

[A1_CUTSCENES_RIP_C1100_0019]
{Okay. What's your name? }

[A1_CUTSCENES_AXE_C1100_0022]
{Axel. }

[A1_CUTSCENES_RIP_C1100_0023]
{I was boarding with two colleagues. E.V.A. We got separated by the blast. Can you help me find them? }

[A1_CUTSCENES_AXE_C1100_0024]
{Why? }

[A1_CUTSCENES_RIP_C1100_0025]
{Cause you seem to know your way around. }

[A1_CUTSCENES_AXE_C1100_0026]
{No, I mean why? What's in it for me? }

[A1_CUTSCENES_RIP_C1100_0027]
{A place on the ship. }

[A1_CUTSCENES_AXE_C1100_0028]
{Yeah? How do I know I can trust you? }

[A1_CUTSCENES_RIP_C1100_0031]
{I need to find comms. I need to contact my ship. }

[A1_CUTSCENES_AXE_C1100_0032]
{This is your lucky day.}

[A1_CUTSCENES_RIP_C1200_0003]
{You killed that guy!}

[A1_CUTSCENES_AXE_C1200_0004]
{Because he was going to kill me! You saved my life!}

[A1_CUTSCENES_AXE_C1200_0005]
{This is about survival. }

[A1_CUTSCENES_AXE_C1200_0006]
{Do you understand? }

[A1_CUTSCENES_AXE_C1200_0007]
{You hear something? }

[A1_CUTSCENES_AXE_C1200_0009]
{Shhh! I hear something. }

[A1_CUTSCENES_AXE_C1200_0011]
{Fuck. Fuck have I got on me? }

[A1_CUTSCENES_RIP_C1200_0012]
{Axel…}

[A1_CUTSCENES_AXE_C1200_0013]
{Ugh!}

[A1_CUTSCENES_AXE_C1200_0014]
{(gurgle)}

[A1_CUTSCENES_RIP_C1200_0015]
{No!}

[A1_CUTSCENES_RIP_C1500_0002]
{Samuels. You're alive, it's Ripley. }

[A1_CUTSCENES_SAM_C1500_0003]
{Ripley! Taylor, it's Ripley! We were getting worried, w-we thought…}

[A1_CUTSCENES_RIP_C1500_0004]
{I made it. Where are you? }

[A1_CUTSCENES_SAM_C1500_0005]
{We’re at a transit station now. It’s right by Medical.}

[A1_CUTSCENES_RIP_C1500_0006]
{Okay. Samuels, listen to me, it's not safe here. Seegson's got this place locked tight. Their goddamn androids are killing people.}

[A1_CUTSCENES_SAM_C1500_0007]
{That's impossible. It's contrary to primary synthetic programming}

[A1_CUTSCENES_RIP_C1500_0008]
{I've seen it, Samuels. I guess Seegson's got a different idea about synthetics. And there's something else here. A creature, it's big and it's lethal.}

[A1_CUTSCENES_SAM_C1500_0009]
{Ripley, slow down! A-a creature? }

[A1_CUTSCENES_RIP_C1500_0010]
{It's a life form, an unknown type, some kind of alien organism. It's extremely dangerous. You and Taylor need to…}

[A1_CUTSCENES_SAM_C1500_0011]
{Ripley, Taylor is hurt. She was injured by debris during the crossing.}

[A1_CUTSCENES_RIP_C1500_0012]
{How bad? }

[A1_CUTSCENES_SAM_C1500_0013]
{I can’t move her. I need medical supplies. We need to treat and pack the injury.}

[A1_CUTSCENES_RIP_C1500_0014]
{And the Torrens? }

[A1_CUTSCENES_SAM_C1500_0015]
{The radio is broken, I can't contact Verlaine. We're on our own.}

[A1_CUTSCENES_RIP_C1500_0016]
{Shit. Okay, I’ll come to you. Keep your eyes open.}

[A1_CUTSCENES_SAM_7066]
{I’ll send a transit car to you.}

[A1_CUTSCENES_LIN_C1700_0001]
{This is Lingard, senior medical officer, Sevastopol Station. I want to…}

[A1_CUTSCENES_LIN_C1700_0001_ALT]
{This is Lingard, senior medical officer, Sevastopol Station. I want to…}

[A1_CUTSCENES_LIN_C1700_0002]
{I want to state for the record that I have been placed under duress with regards to the compromised Patient Zero. }

[A1_CUTSCENES_LIN_C1700_0002_ALT]
{I want to state for the record that I have been placed under duress with regards to the compromised Patient Zero. }

[A1_CUTSCENES_LIN_C1700_0003]
{Ransome, Seegson's head of operations, he… }

[A1_CUTSCENES_LIN_C1700_0003_ALT]
{Ransome, Seegson's head of operations, he… }

[A1_CUTSCENES_LIN_C1700_0004]
{...he made certain threats toward my career and certification, I want that on record. But god help me, that woman needed help. I didn't know what type of parasite she had encountere...