Bead & Button August2014.pdf

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Make a textile-inspired loomwork bracelet
p. 35
August 2014 Issue 122
Your complete beading resource
®
15
Stitch an easy
bracelet with
2-hole beads
projects in
your favorite
techniques
Peyote stitch
Herringbone
Right-angle weave
St. Petersburg chain
Bead embroidery
Netting
HOT NEW BEADS
WE FU
TEST OLLY
PROJE UR
CTS
p. 58
AND MORE!
Tips for working with
leather and chain
p. 53
Try netting with 2-hole
triangles to make this
lively bracelet.
How world events affect bead supply
p. 32
Become a master of branding
p. 22
PLUS!
BONUS ONLINE
CONTENT PG. 4
www.BeadAndButton.com
Welcome
PROJECTS
Website Access Code:
BNB1408
Enter this code at:
www.BeadAndButton.com/code
to gain access to web-exclusive content
w
21
|
Chic & Easy
Herringbone bezel pendant:
Wrap beadwork around a designer
bead to make a focal fit for any necklace.
by Jane Danley Cruz
24
|
Clearly Crystals
Rivoli rendezvous:
Stitch up a pair of earrings featuring captured
crystal stones, SuperDuos, netting, and peyote.
by Svetlana Chernitsky
28
|
Quick Stitch
Funky skunk:
Attach dagger beads to a right-angle weave base
for a bracelet that’s alive with color and texture.
by Virginia Blakelock
48
|
Shibori roses
Fold shibori ribbon into rosettes you can embellish with beads
and assemble into a necklace, pin, or earrings.
by Jane Danley Cruz
53
|
Plain chain no more!
Make a bracelet with two kinds of chain and round leather cord
while getting the inside scoop on working with these two materials.
by Becky Guzman with Jane Danley Cruz
58
|
Totally tubular triangle beads
Take netting to the next level with two-hole triangle
beads in an edgy rope-style bracelet.
by Diane Fitzgerald
COVER
STORY
60
|
Bella bijoux
Transform the
Bead&Button
20th anniversary bead into an elegant
necklace with bead embroidery and a trio of peyote-bezeled pearls.
by Jimmie Boatright
66
|
Floral fireworks bracelet
24
Add brick stitch flowers and branched fringe to the center
of a peyote band with a cut-out clasp.
by Roxi Rogers
70
|
Corkscrew bangle
Work a twist into a tubular brick stitch bracelet, and then add
an embroidered focal.
by Marla Salezze
28
TECHNIQUE GUIDE
bead embroidery ........................................ 48, 60, 70
bead weaving ................................................... 46, 60
brick stitch ........................................................ 66, 70
fringe ....................................................................... 66
herringbone............................................................. 21
ladder stitch ............................................................ 38
leather + chain ........................................................ 53
loomwork ................................................................ 35
netting ............................................................... 24, 58
peyote .............................................24, 38, 48, 60, 66
right-angle weave ............................................. 28, 42
shibori ribbon .......................................................... 48
St. Petersburg chain ............................................... 42
stringing .................................................................. 70
August 2014 Issue 122
WE FULLY
TEST OUR
PROJECTS
International inspiration!
35
|
Serape bracelet
Weave a loomwork bracelet, incorporating motifs that bring
to mind a traditional Mexican shawl.
by Lesha McPhearson
38
|
Double diamond delights
Make a pendant of nested peyote diamonds inspired
by the Coptic crosses of Ethiopia.
by Phyllis Dintenfass
42
|
Stacked St. Petersburg bracelet
Combine a Russian technique with right-angle weave for
two bracelets, each with a uniquely shaped closure.
by Ruth Vickery
48
46
|
Flamenco Pellets bangle
Connect rings of Pellet beads for a ruffled bracelet and
earrings reminiscent of the dresses worn in Spanish dance.
by Kerrie Slade
SPECIAL FEATURE
32
|
Backstory
The politics of beads:
World events have a noticeable influence
on the beads we use every day.
by Perry Bookstein
IN EVERY ISSUE
6
|
From the Editor
11
|
Bead Soup
Preview the latest two-hole beads, 12 new colors of Czech glass,
and this summer’s hottest findings, books, and storage solutions.
Plus, learn how to measure seed beads without a scale, and
discover new online projects just waiting for you to download!
53
19
|
Your Work
22
|
The Business of Beading
Brand(ing) awareness:
Learn how to create and promote a brand
with examples from six professional jewelry artists.
by Leslie Rogalski
77
|
Basics
A guide to techniques in this issue
90
|
Artist Spotlight
Unconventional glass:
Robert Jennik transforms glass
(and rawhide?!) into some unusual forms.
by Stacy Werkheiser
Bead&Button
(ISSN1072-4931, USPS 012-039) is published bimonthly by Kalmbach Publishing
Co., 21027 Crossroads Circle, P.O. Box 1612, Waukesha, WI 53187-1612. Periodicals postage paid
at Waukesha, Wisconsin, and additional offices. Postmaster: Send address changes to
Bead&Button,
21027 Crossroads Circle, P.O. Box 1612, Waukesha, WI 53187-1612. Canada Publication Mail Agree-
ment #40010760.
66
August 2014
From the Editor
Global inspiration
We love to get input from our readers,
and according to our very informal and unscientific
surveys, Mother Nature is the top source of inspiration for beaders when designing a new
piece. But there are scores of other places beaders turn to when it’s time to create, such as
architecture, music, and other cultures. This last category is reflected in four of the projects in
this issue: Lesha McPhearson’s loomed “Serape bracelet,” p. 35, inspired by a Mexican textile;
Kerrie Slade’s “Flamenco Pellets” bracelet and earrings, p. 46, that take cues from the popular
Spanish dance; an Ethiopia-inspired pendant by Phyllis Dintenfass, p. 38; and Ruth Vickery’s
“Stacked St. Petersburg bracelet,” p. 42, featuring Russian-style stitching. Beading has always
had deep global roots, and these pieces showcase our international interconnectedness.
We have lots more for you to enjoy as well! Besides all the other projects, be sure to read Becky
Guzman’s tips and tricks for making leather and chain bracelets like the ones that have been
popular for the past couple of years, p. 53. In Bead Soup, p. 11, you’ll find Jeanette Carmichael’s
guide to “weighing” seed beads without a gram scale. On p. 22, Leslie Rogalski shares her
thoughts on the basics of good branding. And on p. 32, find out what Perry Bookstein has
to say about how world events affect which beads you find at your local bead shop.
S
BONU
d
Fin
e
th
d
beand!
stra
DVD
Your Way
and
Stylish
Jewelry
Designs
in
wirework,
stringing, etalwork,
itching, m
st
more
by Karin
Compiled
es
Van Voorhe
ques
28 Techni
ING
FEATUR
As we’ve been doing for several issues now, we have hidden a drawing of a bead strand
somewhere within the pages. Keep an eye out (it’ll look like the one at left), and if you find it,
email the location to me at editor@beadandbutton.com. During the week of September 1,
we’ll select a winner from all the correct replies to win a copy of
Stylish Jewelry Your Way.
Congratulations to Becky Pancake, who spotted the strand on p. 90 of the April issue!
Happy beading!
Editor,
Bead&Button
editor@beadandbutton.com
Editor
Julia Gerlach
Senior Art Director
Lisa A. Bergman
Associate Editors
Jane Danley Cruz,
Stacy Werkheiser, Connie Whittaker
Editorial Assistant
Lora Groszkiewicz
Graphic Designer
Lisa M. Schroeder
Photographers
Bill Zuback, Jim Forbes
Illustrator
Kellie Jaeger
Publisher
Linda Kast
KALMBACH PUBLISHING CO.
President
Charles R. Croft
Vice President, Editorial
Kevin P. Keefe
Vice President, Advertising
Scott Stollberg
Vice President, Marketing
Daniel R. Lance
Corporate Art Director
Maureen M. Schimmel
Production Manager
Helene Tsigistras
Production Coordinator
Jodi Jeranek
Corporate Circulation Director
Michael Barbee
Group Circulation Manager
Catherine Daniels
Circulation Specialist
Valerie Lane
Single Copy Sales Director
Jerry Burstein
ADVERTISING
Corporate Advertising Director
Ann E. Smith
Advertising Sales
Dawn Becker, Lori Schneider
Ad Services Representatives
Nanette Hackbarth,
Melissa Valuch
www.BeadAndButton.com
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